Detroit, Michigan 1976 2
January 26/1976
Detroit, Michigan
Cobo Hall
By this
era, the band had begun to be introduced as “ the hottest band in the land ’’.
After viewing this video, you’ll see why they could make such a claim.
Background
This is the
second show of a three-night stand at Cobo Hall. This show (the second one) is
the only one currently available in its entirety. The third night does not exist
on the collectors market but many songs have been seen in some of the official
home videos.
Video
Specifics
This is a
pro-shot show but it does have a few more cliches (a few lines and dropouts here
and there) then the first night but is nothing major at all.
The Show
Strutter-
top notch vocals by Paul and bass work by Gene.
C’mon
and Love Me- one of the best version of this tune ever played.
Hotter
Then Hell- another high-energy rocker. A few roadies can be seen standing
offstage throughout the song. Paul sings the last part of the song with his back
sort of turned to the crowd. This song segues into…
Firehouse- a well played song with great red lighting adding to the effect.
At the end of the song, Gene blows two fireballs. As he is throwing down the
firestick, his hair briefly catches on fire and he can be seen quickly trying to
put it out before the lights go off. If you are expecting a huge bonfire then
you are going to be disappointed.
She-
a rather standard playing with a few hand gestures during the lines “I know
she's goin' down ’’ and “ the powers are within her ’’ by Paul. There is a nice
little jam session type of vibe that happens before Ace’s solo.
Parasite- not as good as the San Francisco ’75 video version but still
solid. Paul plays a black Les Paul during this song and the next song then
switches back to his Flying V guitar, which is played during the other eight
songs on this video.
Nothin’
To Lose- a great rendition with “ shake it for Petey ’’ vocal ending by
Peter.
100,000
Years- a great version. It gets started with Gene’s blood spitting, which
has a few video glitches that kind of detracts from it but not a total waste.
During the audience participation section after Peter’s solo, Paul says “ we had
a rowdy bunch last night ’’. Paul seems more energetic during this show then
during the first night. The song ends with fire from the various flame throwers.
If you were going to show a non-fan a single clip of what makes Kiss great then
this song would be a great idea.
Black
Diamond- we can hear Paul tune up before the song starts since the stage
lights are all off. A standard playing with a mirrorball effect at the beginning
and Peter’s raspy vocals. The song ends with the drum riser rising (imagine
that) along with lots of pyro.
Cold
Gin- the band comes back out on stage and Paul sees a rowdy fan and says “
you calm down…this is a rock and roll party, not a rumble. ’’. Paul asks
everyone if they are alright. He seemed to do this before every song of the
show. During Paul’s raps, Peter pokes Ace (who is sitting on the front of the
drum kit) with his drumsticks. Prior to the vocals, Ace gives a high leg kick or
at least high for him, which is a rare sight. Generally well played with good
vocals by Gene.
Rock And
Roll All Nite- the band comes back on stage, again. They bow and Paul gets
Peter in a headlock. The stage is dark and viewer can hear them tuning up. Paul
then introduces the song “ we wrote this while in Detroit ’’. I think this song
was written on the West Coast in January of 1975. A rather average version.
Let Me
Go Rock and Roll- the band comes back on stage, once again. However, this
time they are wearing black robes with hoods so the viewer can’t see exactly who
is who. They discard the robes. I’m not sure what the purpose of this was but it
seemed rather odd. The song begins with Gene screwing up the first part of the
song by singing the first few words of the previous song before catching himself
and realizing which song this actually is. Paul helps get Gene back on track
vocally. This part can be seen in the Kiss Konfidential home video. This
version has a good vibe to it. The microphones are removed to the sides of the
stage during the storm of confetti/ jam session ending. Gene and not Peter ends
the show by saying “ Detroit, Kiss loves you ’’. Paul smashes his guitar and
throws it into the crowd and is helped back to the stage by a security guard.
Certainly a more energetic performance then the first night. At any rate, you can’t go wrong getting either night as a document of the band near its musical peak. Overall, a 9 out of 10.